Opera Idaho’s production of “La Traviata” at the historic Egyptian Theatre in Boise is an exquisite triumph, a masterful showcase that reaffirms the timeless power of Verdi’s composition. This production seamlessly blends vocal brilliance with evocative storytelling, immersing audiences in a world of love, sacrifice, and societal scrutiny. The Egyptian Theatre’s intimate yet grand setting enhances the experience, drawing viewers deeper into the opera’s emotional depths. With stellar vocal performances, expert musical direction, and creative staging, this production is an unforgettable masterpiece, not only honoring one of the greatest operas ever written but also showcasing the extraordinary talent within Opera Idaho’s ranks.
Stage Director Robert Neu’s vision is both traditional and refreshingly dynamic, emphasizing the emotional core of the story while making full use of the Egyptian Theatre’s unique atmosphere. In collaboration with Opera Idaho’s exceptional General Director, Stacey Trenteseaux, the production masterfully incorporates period-appropriate costumes and artful lighting design. These elements heighten the drama, accentuating the contrast between the glittering world of Parisian high society and the stark loneliness of Violetta’s final days, all within the walls of the theatre’s iconic structure.
From the very first notes of the prelude, the stage is set for the tragic tale of Violetta Valéry. Soprano Cecilia Violetta López delivers a breathtaking performance, portraying Violetta’s transformation from vivacious hostess to selfless lover with remarkable depth and authenticity. Her rendition of “Sempre libera” dazzles, showcasing effortless coloratura and emotional intensity that leaves the audience spellbound.
Opposite López, tenor Isaac Hurtado brings passion and warmth to the role of Alfredo Germont. His “De’ miei bollenti spiriti” soars with lyrical beauty, capturing Alfredo’s youthful optimism and ardor. Later, his dramatic confrontation with Violetta in Act II’s gambling scene, culminating in “O mio rimorso!,” is imbued with raw emotional intensity, making his eventual heartbreak all the more poignant.
Baritone Jeff Mattsey as Giorgio Germont, Alfredo’s father, delivers a commanding and nuanced performance. His rendition of “Di Provenza il mar, il suol” is especially moving, portraying a father torn between duty and empathy. His gradual transformation—from stern patriarch to remorseful father—is deeply compelling, underscoring the opera’s themes of redemption and societal hypocrisy.
The supporting cast brings further vibrancy to the production. Mezzo-soprano Tahanee Aluwihare portrays the flirtatious and spirited Flora Bervoix, adding charm to the Act II party scene. As the loyal Annina, soprano Brennan Blankenship provides touching moments of tenderness, particularly in the final act as she tends to Violetta in her last moments. Baritone André Chiang as Baron Douphol, Alfredo’s rival, exudes a commanding presence, his silent yet menacing demeanor adding an extra layer of tension. Tenor Nicholas Cravens as Gastone, baritone Anders Tobiason as the Marchese, tenor Derek Carson as Giuseppe, baritone Brayden Olson as the Commissionario, and bass-baritone Jeffrey Seppala as Doctor Grenvil all deliver strong performances, rounding out a stellar ensemble.
Adding to the richness of the cast, the diverse pool of experienced local talent, some of whom can be found in the chorus, truly completes the on-stage ensemble. Locally based performers like soprano BrieAnne Welch Prestwich, whose own credits span multiple states and countries, demonstrate the wealth of talent that can be found in Boise. Adding further distinction to that, her husband, Elliot Prestwich, serves as the Director of Operations for the Egyptian Theatre venue. Under his expert leadership, which also includes venue and operations management in multiple states, Opera Idaho’s iconic home operates flawlessly every day.
Musically, the production soars under the masterful baton of Music Director and Conductor Andy Anderson, one of the finest maestros in North America. Anderson leads the orchestra with unmatched warmth, sensitivity, and precision. The sweeping orchestration of Verdi’s score fills the theatre with both grandeur and intimacy, supporting every performer with exquisite phrasing and dynamics. The festive Act I brindisi, “Libiamo ne’ lieti calici,” is delivered with infectious joy, while the heartbreaking final duet, “Parigi, o cara,” leaves few if any dry eyes in the house.
Adding another layer of creative flair to the production, Directors Neu and Trenteseaux include several extraordinary dancers from Ballet Idaho. Anissa Bailis, Cydney Covert, Elizabeth Kanning, and Cameron Pelton portray the gypsies, and their performance is simply dazzling. Every step, kick, leap, and twirl is executed with breathtaking precision and energy.
Of course, none of these remarkable displays would be possible without the dedication and professionalism of the outstanding staff and crew. Production Director Anthony Colombo set the tone throughout the lead-up to the first performance, ensuring seamless execution. Stage Manager Alan Stogin is tack sharp and keeps everything on track and on time. Lead Hair and Makeup Designer Danyale Cook and her incredible team of artists such as Amanda Woods do exquisite work. Every member of the cast looks stunning on stage. Of course, as hair, makeup, and even costume are always affected by conditions on stage and in the theatre, it must be noted that Lighting Designer David Goodman-Edberg masterfully crafts a visual experience that enhances every dramatic moment with stunning interplay of light, color, and shadow.
Opera Idaho’s “La Traviata” at the Egyptian Theatre is a breathtaking achievement, a production that honors Verdi’s masterpiece while making a profound emotional impact on the audience. With world-class performances, stunning orchestration, and impeccable stagecraft, this is an evening of opera at its finest.
Don’t miss the opportunity to experience the magic of live opera in Idaho. Tickets for future productions and performances can be obtained through OperaIdaho.org or by calling 208-345-3531. For one night only, on Sunday, April 13th, the Egyptian Theatre will present the Boise film premier of “Aria – Opera on the Edge” featuring Cecilia Violetta López and several other members of the Opera Idaho family. Tickets for this event can be purchased online at AriaTheFilm.com.
Ahsan Awan has been covering opera, performance arts and live events for nearly two decades. This marks his debut coverage of Opera Idaho. Images taken by Ahsan Awan for Opera Idaho and ©2025 American Presswire. Editorial use by Opera Idaho with permission and subject to unrestricted use under license unless otherwise noted. Ahsan Awan can be found on X as @quackarazzi and on Instagram as @quackarazzi. American Presswire can be found on X as @ampresswire and on Instagram as @ampresswire.